What literary devices are used in A Streetcar Named Desire?
Terms in this set (6)
- Foreshadowing. In Scene One, Blanche takes a streetcar named Desire through Cemeteries to reach Elysian Fields, where Stella and Stanley live.
- Symbolism. Blue Piano = sex, lust, animal desire.
- Irony.
- Enjambement.
- Lateral Consonance.
- Dysphemism.
Is A Streetcar Named Desire realistic?
Although Williams’s protagonist in A Streetcar Named Desire is the romantic Blanche DuBois, the play is a work of social realism. Ultimately, Blanche’s attempts to remake her own and Stella’s existences—to rejuvenate her life and to save Stella from a life with Stanley—fail.
What does Blanche say about realism and magic?
She doesn’t want realism. Instead, she prefers the magic of illusion. And rather than the truth, she lives for “what ought to be.” Thus forcing Blanche into the light makes her see things in their ugly realism — that is, it makes her see how her life actually was instead of how it ought to have been.
WHAT IS A Streetcar Named Desire a metaphor for?
The Streetcar Symbol Analysis Williams called the streetcar the “ideal metaphor for the human condition.” The play’s title refers not only to a real streetcar line in New Orleans but also symbolically to the power of desire as the driving force behind the characters’ actions.
WHAT DOES A Streetcar Named Desire symbolize?
What does Belle Reve mean in A Streetcar Named Desire?
The family home that Blanche had to leave behind is called Belle Reve, which is French for ‘sweet dreams.
What does Blanche say regarding realism?
She doesn’t want realism. Instead, she prefers the magic of illusion. And rather than the truth, she lives for “what ought to be.” Thus forcing Blanche into the light makes her see things in their ugly realism — that is, it makes her see how her life actually was instead of how it ought to have been.
What does Blanche say about realism and magic scene 9?
She begs him not to turn the light on, but he says that he wants to be “realistic.” Blanche cries that she doesn’t like realism and “want[s] magic.” She explains that her policy is to say what “ought” to be true.